Location scouting is a very important part of the production process. When you’re ready to scout your next potential film site, make sure you take the production manager/designer, cinematographer, and audio supervisor. You want these members of the crew there in order to judge if the location is manageable, filmable, and void of overwhelming noise pollution. They’re the experts — listen to what they say.
If you find yourself lacking a specific prop, don’t fret. 3D printers are a practical and increasingly common solution. In fact, as wild as it sounds, many of the props you saw during Star Wars: The Force Awakens were printed with a 3D printer. Check out this article from Scott J Grunewald about 3D prints in the latest Star Wars.
If you’re going it alone on your next shoot, but still need a hand with audio, then get a C-stand and a boom holder. With these two pieces of equipment, you can set your boom pole and mic up wherever you see fit.
This technique is great for interview scenes in a documentary film. The setup can also be used on narrative film sets, though its advantages are far less. You can get your hands on an Auray Boom Pole Holder for around £25 and an Impact C-Stand for around £105.
Known as the “Poor Man’s Process,” this is an easy way to capture car movement without ever putting the car in gear. As you’ll see in the video below, the Poor Man’s Process is where you leave the car stationary within the space, but you simulate movement by way of lights and other effects.
These other effects could include using a large fan alongside artificial rain or fog or anything that creates a sense of movement without actually moving the car. Filmmakers have been using this techniques for ages — it’s incredibly effective and allows you to visually control the scene much easier, versus filming in a moving car.
I’ve always liked natural lighting. I try to incorporate it as often as possible, versus using a set of lights. One way to do this is through a window. Using a window can be fantastic, especially when you add a reflector into the mix. The video below from The Slanted Lens demonstrates how to effectively use natural window light to capture amazing imagery.
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